This is a follow-up to last week’s blog on the movie Cabrini.  A few of our subscribers have seen the film and confirmed the fact the theaters averaged only a handful of viewers.  So, is Cabrini a financial success?

If you try Googling the answer, you may come up with completely conflicting numbers.  I originally stated the film cost $15 million to make, but now I find it had a “budget” of $50 million.  On one site the box office gross is listed as $200 million worldwide.  On other sites the gross is only $20 million.  The man who funded the film claimed it made $100 million as of last February – but it wasn’t even released to theaters until March!  Even playing at 2,800 theaters, with low attendance numbers, I find it hard to believe it has even broken even yet.

The non-professional reviews have been mixed, although the positives greatly outweigh the negatives.  One viewer wrote that “Protestants seem to be avoiding the film due to its Catholic subject matter.”  He further stated “I found it sad that Catholic congregations are not promoting this film due to its less than positive but realistic view of Church hierarchy.”

I visited the site of the Catholic Tablet and found only positive editorials, indicating no official Church objection to the movie despite the less-than-flattering character of New York’s Archbishop Corrigan.

Yet, there was one online viewer who had this to say: “As a practicing Catholic this movie was an incredible disappointment. No mention of Mother Cabrini’s devotion to Jesus Christ, no scenes of prayer, no mention of the order of Nuns.” 

This comment moved me to contact a ‘militant’ wing of Catholic organizations for its opinion.  I received this reply: “We promoted the film via an eblast on February 29, 2024…[after that] promotional email, there was a certain portion of our subscribers that were shall we say less than happy with the film… They did not like that we were promoting a movie that overly secularized this saint.  As a result, we took a step back and did not pursue more on this front.

As my main interest in Cabrini is in its depiction of Italians rather than Catholics I believe that these opinions, as well as the lack of heavy publicity, had their effect on Italian American movie-goers. Among the circle of my family and friends, almost none have seen the film.  Extrapolate that to the nation’s 20 million Italian Americans and Cabrini has not impacted us to any significant degree.  A pity, since we have been clamoring for positive media images for a century.

Mother Cabrini in Battery Park City, Manhattan.
When Italian Americans pull together.

For most of us the enduring depiction of Italian immigration is in Godfather II, through the eyes of Coppola’s murderers and thieves. Cabrini is the antithesis of that image.  Sadly, we had to wait for a Mexican filmmaker (Alejandro Monteverde), an Anglo producer (J. Eustace Wolfington), and a Mormon film distributor (the Harmon brothers) to achieve a solid alternative to that Hollywood defamation.  But do we sustain it with mass attendance to Cabrini?  How many of our social and fraternal organizations have arranged group trips to Tony & Tina’s Wedding or A Bronx Tale but not to Cabrini?  The Cabrini film shouldn’t be a religious controversy for Italian Americans.

Our Long Island associate and Analyst Joseph Graziose reminded me of a Mother Cabrini controversy just before the Covid-19 lockdowns.  The activist wife of then-Mayor Bill De Blasio (née Wilhelm) wanted to honor famous New York women with statues.  She called on New Yorkers to submit names for the ‘She Built New York’ project and received over 200 votes for Mother Cabrini, other names received far less.  Miffed by the choice, De Blasio’s wife, Chirlane McCray, nixed Cabrini.  That action mobilized the Italian American community with then-Bishop Nicholas DiMarzio of Brooklyn organizing a fundraiser to create a statue to the nun.  He was soon joined by then-Governor Andrew Cuomo, who provided a site for the statue, and by the Columbus Citizens Foundation.  Together, this coalition designed and produced a fitting tribute to Mother Cabrini by Columbus Day, 2020.  Meanwhile, Chirlane McCray’s statues are not even on the drawing board…and she is now separated from DeBlasio.  God works in strange ways!

If you can’t find a theater, you can view Cabrini online at the link below.  It’s worth the effort. -JLM

https://www.angel.com/movies/cabrini